Aurora’s song isn’t just for Kaiju No.8: It’s for Kafka’s soul

Kafka as seen in the Kaiju No. 8 manga cover
Kafka as seen in the Kaiju No. 8 manga cover (Image credit: Shueisha)

When I was watching the new trailer for Season 2 of Kaiju No.8, I did not expect to be hit with Aurora’s voice floating over the chorus of the video. We get a glimpse of her track You Can’t Run From Yourself. Listening to it felt like she was not just singing a theme song — she was narrating Kafka’s entire inner conflict.

Kaiju No.8 comes out July 19 and is one of the most hyped releases of 2025. TOHO Animation dropped a brand new trailer, and we met new faces like First Division Vice-Captain Eiji Hasegawa (voiced by Hiroki Yasumoto) and platoon leader Rin Shinonome (voiced by Kana Hanazawa).

But as cool as the visuals are, it was Aurora’s raw vocals that stole the show and got everyone talking online. This isn’t just about how good the anime is going to be, but a love letter to the creators for being brave enough to use music as a narrative device.

Kafka and Kikoru as seen in the Kaiju No. 8 anime (Image credit: Production I.G)
Kafka and Kikoru as seen in the Kaiju No. 8 anime (Image credit: Production I.G)

With Aurora lending her vocals to the show, her involvement bridges the gap between anime and the world. This is Kafka’s soul in song. Although the lyrics haven’t even been fully revealed yet, the glimpse of the song alone already speaks volumes.

This artist’s vocals feel like a meditation on inner torment and the search for redemption. And her songs carry this emotional weight that can only be described as an otherworldly experience.

Rather than go for a typical high-energy anime opener, the creators went with something more introspective, aligning the music with Kafka’s emotional evolution rather than the external threats.

And the fact that the singer herself is someone who gets emotional complexity and also likes anime makes it even more powerful. Aurora Aksnes isn’t just a singer — she’s a mystic. Often called the “Fairy of Pop,” she’s known for her ethereal voice, poetic lyrics, and experimental production. Her music is about identity, nature, rebellion, and inner transformation — things Kaiju No.8 wears on its sleeve.


Bridging cultures: Why hiring Aurora was a genius move by Kaiju No.8

There’s always a certain beauty when anime dares to break its own traditions, and having Aurora sing the opening for Kaiju No.8 is exactly that. While the first season went with the powerful and unpredictable Yungblud (whose song Abyss added a raw edge), Aurora brings an entirely different dimension — emotion, surrealism, and depth.

A great example of this bridge was also seen in the recent Creepy Nuts track Mirage, released as part of the promotional buildup. It’s a distinctly Japanese sound, full of hip-hop verve and lyrical edge. When you put that next to Aurora’s mystical pop, you get something unique: a contrast that honors both tradition and expansion.

And it’s not just a creative decision — it’s a cultural one. By using an international artist, Kaiju No.8 is following a new trend in anime: building a global bridge through music. Anime is no longer just Japan’s art form. It belongs to the world. Artists like Aurora help reflect that reality.

Since the trailer dropped, fans on social media have been nothing short of ecstatic. And they’re right. We’re going to see a thousand fan edits, a hundred lyric breakdowns, and probably dozens of acoustic covers before the full song even drops.


In conclusion, we haven’t even heard the full song yet, and I already know You Can’t Run From Yourself is going to linger long after the season ends. So when July 19 rolls around and that first episode of Kaiju No.8 Season 2 plays, I won’t just be watching for the action, the characters, or the plot twists. I’ll be listening to the opening like a fan — and vibing.

Edited by Ritika Pal