The Infinity Castle saga in Demon Slayer is an absolute powerhouse of storytelling. It’s packed with spirited battles, touching moments, and long-awaited character development. The announcement that the final arc would be adapted as a trilogy of films instead of a full season left fans with mixed feelings. While many celebrated the news, I firmly consider it a misstep for the franchise. Sure, movies bring higher budgets and stunning visuals—but they also come with time constraints.
Think about the characters we’ve grown to love. Tanjiro, Zenitsu, Inosuke, and the Hashira each have arcs worth exploring. In a series format, there’s space to dig into their backstories, motivations, and growth. A film might gloss over these moments just to keep the pace up.
The precedent of success doesn’t guarantee future results. Yes, I know the numbers. Demon Slayer: Mugen Train became the highest-grossing anime film of all time, dethroning Studio Ghibli’s Spirited Away. The film’s success was phenomenal, but we need to acknowledge the unique conditions surrounding its release.

The film debuted during a global pandemic when theaters were just reopening and competition was minimal. Fans were starved for content, creating the perfect storm for Mugen Train’s box office run. But lightning doesn’t strike twice—especially now that the theatrical landscape has normalized.
Mugen Train did a good job, but some nuance was inevitably lost. The Infinity Castle arc is even more layered, and a series would give it room to breathe. Films have their moment, but their buzz fades fast. A series keeps the conversation going, deepening the connection with viewers over time.
Pacing and waiting game is painful for Demon Slayer’s fans

Covering nearly 65 manga chapters, the Infinity Castle arc is one of the most content-rich segments in the series. Compressing that into just three films is ambitious. Even if each film handles around 22 chapters, the pacing will likely feel rushed. Demon Slayer thrives on emotional moments—and the film format could sacrifice this for runtime efficiency.
Television episodes allow for natural breaks and more nuanced storytelling. The final battles against the remaining Upper Ranks and Muzan deserve this careful treatment. The flashbacks, character development, and emotional payoffs that make Demon Slayer special need space to unfold properly.
With a trilogy format, fans will likely wait a year or more between installments. Imagine experiencing an intense cliffhanger at the end of the first film, only to wait 12+ months for resolution. The protracted release plan for the trilogy feels like an insincere extension of the franchise’s lifespan. As a fan of Demon Slayer, I’d prefer to experience the conclusion in a more serialized format rather than having it stretched out over several years.
Television allows for animation consistency

One advantage of the television format is consistency. Week after week, viewers can expect new content with a relatively stable animation quality. Films may have higher budgets, but they also create higher expectations. Any dip in quality between the films would be more noticeable and disappointing than minor fluctuations within a season.
It’s understandable why Mugen Train’s success influenced this decision. Still, nothing should matter more than the audience’s connection with the story. Condensing such a rich arc into a few hours risks weakening its emotional and narrative impact. A series might not generate blockbuster revenue upfront, but it builds long-term loyalty and satisfaction.
In the end, adapting the Infinity Castle arc into a series would have been the better choice. It would allow for a more precise, emotional, and immersive experience. The decision is made, and we’ll accept it—but as a fan, I can’t help but wonder what could have been if Tanjiro’s final battle had unfolded slowly, beautifully, week after week on our screens.