Jujutsu Kaisen: Junpei was a Pawn in the war between Yuji and Mahito

Mahito and Junpei in anime
Mahito and Junpei in anime (Image credit: MAAPA Studio)

In Jujutsu Kaisen, Junpei has one of the most tragic character arcs. He was a high school student targeted by bullies for loving cinema. After being traumatized by them, Junpei was left by himself, misunderstood, and emotionally fragile; he represented the kind of individual most vulnerable to manipulation. Mahito saw that instantly.

Junpei was never supposed to be a main character in the story, he was merely a pawn. Notably, he was tragically caught between two ideologies, each embodied by characters who represent more than themselves. To understand Junpei’s story in the series, understand the ideological war between humanism and nihilism.

Itadori Yuji’s ideology was simple: to protect as many people as he could because every life matters. On the other hand, Mahito was the embodiment of nihilism, he saw every human soul as meaningless and disposable. This ideological clash is not merely about personal beliefs. It’s a war of species, curses versus humans, and Junpei was in the center of this battlefield.

What makes his story resonate a lot with the audience is that there was a chance where Junpei could have been saved. He was never evil or doomed from the start. If someone had noticed his pain earlier, if society hadn’t failed him, if Mahito hadn’t found him first then his suffering would not have been weaponized.

Itadori and Junpei as seen in Jujutsu Kaisen(Image credit: MAPPA Studios)
Itadori and Junpei as seen in Jujutsu Kaisen(Image credit: MAPPA Studios)

While Mahito is not merely a villain, he is the antithesis of everything Yuji stands for. In Junpei’s story, Mahito plays god, deciding who lives and who dies based on nothing more than amusement. He knows that he is actively hurting others and still chooses to continue with this lifestyle.

Unfortunately, Junpei in Jujutsu Kaisen was the one who had to pay the price of getting in between a war he was not even aware of entering. Junpei’s transformation into a cursed spirit, his physical corruption at Mahito’s hands, is the ultimate betrayal.

His body was not only shattered physically, but the fragile hope he had for a better life was also shattered. And this proved that Junpei was never anything more than a tool to him.

Junpei’s death catalyzes Yuji’s growth in Jujutsu Kaisen. He no longer saves people just because it feels good or because he should. From this point on, Yuji understands that in a world where people like Mahito exist, protecting life is a fight against meaninglessness itself.


Itadori Yuji’s transformation in Jujutsu Kaisen: From grief to resolve

After the death of Junpei, it became a huge turning point in Itadori Yuji’s life in Jujutsu Kaisen. Itadori was not able to move on, and his decision to take accountability for not being able to save his friend became his biggest motivation to try and save as many people as possible. Moreover, his fight with Mahito became more than just between a sorcerer and a curse. It evolved to be seen in a philosophical war.

Yuji’s fight in Jujutsu Kaisen was not just showing off brute strength or a battle of fists. But with the will to protect meaning in a meaningless world. Notably, when Yuji refused to kill Junpei after he was turned into a monster beyond recognition, it was his ultimate act of defiance against Mahito. It is a statement towards the villain that he does not get to decide what a person is worth.


In conclusion, Junpei Yoshino in Jujustu Kaisen was a pawn in the war between Yuji and Mahito, but that doesn’t make him unimportant. His story in this series, Junpei’s character arc, remains the most human among all. Furthermore, his tragic end is a lesson to the audience of the cost one has to pay for indifference and the necessity of being strong-willed in standing up to those who try to take advantage of vulnerability. Finally, it would be wrong of us to write him off as just a pawn because he was a crucial character for Itadori to grow.

Edited by Sugnik Mondal