9 Times Ana de Armas had our eyes glued to the screen with her aura

Well, we can say Ana de Armas may be a relatively fresh face in Hollywood, but she is consistently impressive with a line-up of remarkable performances that underline her ability to keep your eyes glued to the screen. Even when the films don’t fully measure up to her calibre, she remains a dependable force with undeniable charisma on screen.

Among the most in-demand names in Hollywood today, Cuban-Spanish actress Ana de Armas first appeared on screen at age 16 in 2006 and rose to prominence in American cinema in the latter half of the 2010s. She has demonstrated her acting range in everything from intense dramas and speculative sci-fi to light-hearted comedies and fast-paced action films. You may find her face frequently in action movies nowadays, but there is no doubt that time and again, she has shown her strength in dramatic performances.

Whether it’s a big budget blockbuster or indie drama, she always provides genuine and convincing acting. With the combination of talent and standout looks, she has become a regular favourite for casting directors in the industry. And with an Oscar nomination under her belt, a line-up of commercial blockbusters, and a passionate fan base, she continues to rise steadily.

Through this article, we will discuss how Ana de Armas, nine times, had our eyes glued to the screen with her aura.

Disclaimer: This article contains the writer's opinion. Readers’ discretion is advised.

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Joi in Blade Runner 2049

In Blade Runner 2049, a follow-up to the iconic science fiction masterpiece, Ana de Armas steps into a notably offbeat and distinctive character. She portrays Joi, an artificial intelligence developed and sold by Wallace Corporation, designed to function as a holographic partner for K, enacted by Ryan Gosling.

Playing Joi, the projected AI companion, Ana de Armas infuses a unique warmth into a part that might have otherwise come off as detached or superficial. Rather, she brings a luminous and emotionally stirring presence to Joi, an impressive accomplishment for being composed solely of projection and programming. Though she is crafted to serve, to mold herself to others, to deliver exactly what is expected, Armas imbues her with complexity and a soft ache for authenticity.

There is that gentle warmth in her subtle stares towards Ryan Gosling’s character K, which adds a quiet brilliance — their screen presence together is electric. Joi isn’t a major figure in terms of screen time, but Ana de Armas’s portrayal, paired with that memorable raincoat, is cherished by the fans.

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Norma Jeane in Blonde

Though many critics criticized Blonde for its inaccuracies and slanted narrative, Ana de Armas’ standout portrayal still earned widespread acclaim. She secured her debut Oscar nomination for Blonde, though the film's mixed reviews among critics weakened her likelihood of victory. The fact that she has been recognized for her role in such a contentious movie underscores the impact of her performance.

Playing Norma Jaene, she fully transforms into Marilyn Monroe, reflecting the sparkle and tragedy in a striking, memorable way. Through honest fragility, Ana de Armas uncovers the depth behind the person, showing the tender woman masked by the Hollywood charm. Her portrayal is undeniably the one element of the film that draws unanimous praise. De Armas flawlessly mirrors Monroe’s magnetic presence while diving into her most troubled times.

A key reason Blonde ranks among Ana de Armas’ most powerful portrayals is the ghostly tension that trails her very scene. She shifts between the iconic persona and the vulnerable woman behind it so seamlessly that you will find yourself captivated throughout.

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Sadie Rhodes in Ghosted

Ana de Armas's presence in Ghosted demands attention. She owns the screen as Sadie Rhodes, a fearless CIA pro with charm, intellect, and sleek composure. Despite being seen by some as an underwhelming project for the headline pair, it still premieres as Apple TV’s most watched movie. It is fair to say that although the narrative lacked depth, audiences flocked to see the undeniable appeal of Chris Evans and Ana de Armas. She arrives with fire power and flair, stilettos tapping out her own beat, and in a flash, Cole’s flustered, and we are hypnotized, as Ana takes over the screen like she owns it.

As Sadie, she is gritty, clever, and always playing chess while everyone else is stuck on checkers. Whether she is neutralizing threats, ducking shots, or outthinking double crossers, she pulls it off with breezy confidence. The moment Ghosted’s trailer first hit the screens, audiences lost their minds over the electric pairing of Chris and Ana, and she glows in a role that balances secret agent intensity with breezy romantic comedy flair.

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Sofia Koslow in The Informer

Throughout her growing career, Ana de Armas has featured in numerous action-packed films. It is hardly a surprise that another adrenaline-fuelled title ranks high among her top performances. Though she has not always been in the thick of the firefights, Ana holds her own with a low-key power that keeps every gaze locked on her.

In The Informer, she embodies Sofia Koslow with a calm yet intense presence, portraying the devoted and fiercely protective wife of Joel Kinnaman’s undercover ex-con, Pete Koslow. She delivers a commendable performance, bringing a human touch that enables the movie to push the plot along and deepen the emotional impact on the supporting cast.

Ana radiates strength — her steadfast loyalty to her husband, despite obvious fear, says it all. Her eyes reveal anxiety yet her tone remains unwavering. It is an act that combines tenderness with quiet fortitude, producing a mesmerizing effect.

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Paloma in No Time to Die

Ana de Armas may only have a few minutes of screen time in No Time to Die, but as CIA agent Paloma, she makes every single second count and then some. From the moment she struts into the high-octane Cuba sequence in that sleek, backless black dress, glass of champagne in hand, she is impossible to ignore. She has got charm, wit, and just enough chaos in her smile to make you wonder if she is about to toast with Bond or take someone out with the glass.

And then the action hits, and wow. Kicks, flips, gunplay, it is all so precise, so confident, you would think she has been doing this for years. It is ballet with bullets, and Ana moves through it like it’s second nature. There is no grim intensity here, just pure, high-energy fun. In a franchise packed with unforgettable women, Paloma stands out by doing more in five minutes than most do in an entire act. Ana de Armas dazzles, fights, and charms her way into Bond legend.

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Iz in War Dogs

In War Dogs, Ana de Armas may not be wheeling and dealing in illegal weapons, but as Iz, the girlfriend of Miles Teller’s slippery arms dealer, she brings something the film desperately needs: Charm and a moral compass. Amid all the shady business, backroom deals, and questionable international flights, Ana is the calm in the storm, until she is not.

De Armas plays Iz with warmth and sincerity, grounding the chaotic comedy-crime ride with a dose of real-world concern. Even with limited screen time, Ana makes Iz memorable. She is not just the worried girlfriend in the background — she holds her own and makes you care.

In a film full of wild twists and questionable choices, her presence gives it just enough heart. War Dogs may be about guys making bad decisions, but Ana ensures we never lose sight of what they are risking and who is watching.

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Eve Macarro in Ballerina

Ana brings serious firepower and footwork to Ballerina as Eve Macarro, the vengeful dancer-turned-assassin who turns pirouettes into punches and pliés into precision strikes. From the moment she steps into frame, dressed in black and ready to cause trouble, she commands the screen with an aura that’s impossible to ignore.

You are watching a ballerina, sure, but one who can kill you with a hairpin and look graceful doing it. Her balletic fight sequences are pure visual poetry. Each move is fluid, fierce, and delivered with laser focus. Ana de Armas proves she is not just in the action genre — she is redefining it. With every leap, strike, and smoldering glare, she captivates, bringing emotion and elegance to a world of bullets and revenge. In Ballerina, she is not just fighting for justice — she is stealing every scene while doing it. Consider the screen is officially hers.

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Carolina in Sergio

In Sergio, Ana brings both strength and heart as Carolina, a U.N. official and the partner of Sergio Vieira de Mello, played by Wagner Moura. As the film jumps through time, bouncing between diplomacy and danger, she anchors the emotional core with quiet power and undeniable presence. Her chemistry with Moura is easy and natural, making their tender moments feel genuine.

Whether they are sharing a quiet laugh or exchanging serious glances in the middle of political tension, Ana lights up the screen with her warmth and subtle intensity. You believe every look, every word, and every heartbeat between them.

While Sergio deals with politics and legacy, Ana de Armas makes sure we don’t lose sight of the human side. As Carolina, she doesn’t just support the story — she elevates it, giving it warmth, weight, and a pulse that’s hard to forget.

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Marta Cabrera in Knives Out

In Knives Out, Ana proves she doesn’t need explosions or spy gadgets to steal the spotlight, just a good mystery and one killer poker face. As Marta Cabrera, the kind-hearted nurse, suddenly swept into a whirlwind of murder, money, and family chaos, De Amaras more than holds her own in a cast packed with Hollywood heavyweights, and honestly, she walks away with the whole movie.

Ana plays Marta with warmth, vulnerability, and just the right touch of wide-eyed panic as she finds herself both a suspect and a victim in the suspicious death of her wealthy employer. It is easily one of Ana de Armas' best roles so far, a performance that’s funny, moving, and captivating.

In a film built on deception, she is the one thing that feels real. Knives Out may be a whodunit, but Ana makes sure the real question is, how can you take your eyes off her?