Netflix’s Mantis enters the fractured world left behind by Kill Boksoon. The death of Min-kyo rips a hole in MK Entertainment, leaving killers to fend for themselves in a business where reputation is currency and survival depends on speed.
Han-ul (aka Mantis) returns from his self-imposed break convinced that raw talent and charisma will guarantee his dominance. Jae-yi, the childhood friend who once trained beside him and spent years eclipsed by his legend, sees an opening to rewrite her place in this collapsing order. Their alliance begins as nostalgia but quickly warps under pressure, exposing arrogance, buried resentment, and the unforgiving nature of power.
The film spends its first half sketching a brutal new economy for assassins. MK Entertainment, once an empire with rigid codes, has turned to dust. New freelancers fight for scraps, and loyalty lasts only until the next paycheck.
Mantis frames this chaos with cold efficiency: empty training halls, discarded contracts, and killers whispering about who will rise next. Han-ul imagines he can claim the throne by building something fresh. Jae-yi watches him with a mix of admiration and hunger, already sensing that his confidence hides blind spots that could cost them everything.
The slow death of the Mantis Company
Han-ul forms the Mantis Company believing his name alone can command respect. He assumes that clients will follow and assassins will pledge allegiance because he was once MK’s golden weapon. Confidence curdles into carelessness. Jobs slip through his fingers. His recruits grow restless, and the company begins to fracture from within. The charisma that once defined him now reads as recklessness to those relying on his leadership. Jae-yi remains at his side, but her silence grows heavier with every misstep.
Into this weakness steps Benjamin, a smooth talking investor who smells decay. He bankrolls Han-ul while playing both sides with calculated precision. One leaked video of Han-ul losing a sparring match spreads like wildfire through the underground.
In a trade where strength is survival, this single image ruins him. Contracts dry up overnight. What was meant to be a bold new empire under the banner of Mantis becomes an empty shell. Han-ul turns to Dok-go, the retired mentor who once shaped him, searching for guidance but finding a man who may want the old hierarchy back. The vision of independence that once seemed unstoppable begins to look like a doomed fantasy.
An empire of freelancers and fading rules
At this point Mantis pauses to show a larger shift. The assassin world that Min-kyo ruled under Kill Boksoon no longer exists. Young killers fight for relevance, scraping for jobs in an industry where reputation dies in a single viral video. Old codes about mentorship and honor vanish. Contracts are negotiated in whispers, and loyalty feels like a luxury no one can afford. Han-ul fails because he still believes in the weight of a name.
Jae-yi begins to thrive because she understands that survival now belongs to those who adapt, erase history when needed, and use every ally as a temporary weapon. The film dwells on this transition, turning the underworld into a mirror of modern gig economies where power shifts overnight. It's a world where yesterday’s legend becomes today’s expendable hire, and hesitation is the quickest path to extinction.
Jae-yi’s calculated rise
Jae-yi accepts Benjamin’s help without ever surrendering control. She lets him believe he is grooming her for his own gain, but every conversation is a test and every favor a step toward independence. Her quiet fury becomes purpose. The film shows this shift not with speeches but with glances and the cold precision of her movements. She trains, she studies, she waits.
When Benjamin escalates the game by having her send a blood soaked knife to Dok-go as a provocation, the balance breaks. Han-ul, cornered and desperate, delivers Dok-go’s own blade to Jae-yi, binding their fates and ensuring that the coming clash cannot be avoided.
This part of Mantis reframes the childhood bond between Han-ul and Jae-yi. What once looked like loyalty now reads as an unfinished rivalry. The old rules that Kill Boksoon built, hierarchy and apprenticeship and silent respect, no longer hold.
Jae-yi steps beyond the role of second in command and prepares for the moment she will no longer have to answer to anyone. Every choice is calculated, every alliance temporary, every look a silent countdown.
The night everything breaks
The final battle takes place in Dok-go’s office, a room heavy with history. No order remains, only three killers circling each other in a storm of mistrust. Han-ul and Jae-yi fight just long enough to bring their mentor to his knees. Years of training, betrayal, and ambition collide in silence broken only by the sounds of combat. When the chance to end Dok-go’s life arrives, Han-ul freezes. He cannot sever the tie to the man who shaped him.
Jae-yi, though, does not hesitate. Through rage and tears she drives the blade home, killing the mentor who once held the keys to their future. It's an execution both intimate and symbolic, the death of the old guard and the final rejection of the world built under Kill Boksoon.
In this single act Jae-yi takes everything Han-ul wanted and proves that survival in this new era belongs to those willing to destroy their past. The space left by MK’s collapse fills with a new kind of leadership, colder and more self made.
Mantis and a future written in blood
With Dok-go dead, Jae-yi moves into power without romance or regret. Benjamin, who believed himself the puppeteer, is stripped of influence and discarded once he stops being useful.
MK Entertainment is hers now, rebuilt under new rules and new ambition. The first order she gives as leader is merciless: she hires the broken remains of the Mantis Company to hunt and kill Han-ul. The man who thought he could escape the shadow of MK becomes just another contract.
Mantis ends not with reunion or redemption but with a chilling understanding of what this world rewards. Loyalty crumbles. Friendship dies when power is at stake. The hidden lesson beneath the violence is that escaping an empire built on blood means accepting that one day someone you once trusted will come for your life. In the end, survival belongs only to those willing to turn the blade first and never look back.
This conclusion of Mantis closes the chapter started by Kill Boksoon while leaving the door open to a future where ambition devours everything in its path.
In the silence after the last blade falls, power feels colder than ever, and every bond left standing carries the weight of its own eventual betrayal.
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