What do Julia Roberts and Michael Stuhlbarg say about working with Andrew Garfield and Ayo Edebiri on “After the Hunt”?

Julia Roberts and Michael Stuhlbarg recently opened up about their experience working on After the Hunt, particularly alongside Andrew Garfield and Ayo Edebiri. Their reflections reveal how the emotional weight of the film, nuanced relationships on set, and director Luca Guadagnino’s style shaped their performances. As the project has stirred interest for its themes and the cast’s chemistry, their comments help us peek behind the curtain of a deeply layered production.

In their conversations, Julia Roberts and Stuhlbarg emphasize the trust and intimacy built in small moments, while also giving credit to their co-stars. They speak of navigating the darker contours of After the Hunt’s narrative with collaborators who pushed them (and were pushed back) in kind. Their words hint at a set that was both challenging and collaborative a balance that seems to reflect the film’s ambition.

What Julia Roberts and Michael Stuhlbarg say about working with Andrew Garfield and Ayo Edebiri on “After the Hunt”

Julia Roberts and Stuhlbarg’s praise for Garfield centers on his introspective nature and emotional depth. Julia Roberts describes Garfield as a “searcher,” someone who pushes into uncomfortable spaces and stirs the inner life of their characters. She says he sometimes nudges her out of her comfort zone knowing exactly “where my little tender parts are” and that their exchanges often felt like essential fuel for her performance. (He’s even jokingly called her “therapist” at one press event, a nod to how taxing their shared scenes can be.)

Stuhlbarg likewise underscores the collective dynamic: he says working with Garfield (and the ensemble) was “extraordinary,” and that he gleaned insights from everyone. For him, the relationship between his character Frederik and Alma (Roberts) became a core through-line as Roberts’ character released new layers, his performance adjusted to reciprocate.

While both speak warmly of Garfield, they also acknowledge the fresh energy Ayo Edebiri brings to the table. Edebiri’s portrayal of Maggie is referred to in more modest terms, but with clear respect: Roberts and Stuhlbarg note her courage in tackling complex moral questions and the weight of her scenes. In the ensemble’s press engagements, Edebiri also addressed a viral moment when a journalist directed questions about #MeToo and Black Lives Matter only to Roberts and Garfield, excluding her she later reflected that while she didn’t engage deeply with the online noise, the moment felt “very human.”

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Ultimately, both Roberts and Stuhlbarg depict a process in which Garfield’s intensity and Edebiri’s grounded presence helped shape the emotional core of After the Hunt. Their comments suggest that beyond the script, the actors’ interactions fueled the film’s moral and psychological tension.

In conclusion, Julia Roberts and Michael Stuhlbarg paint a picture of a set held together by sensitivity, trust, and mutual challenge. Their remarks highlight how working with Garfield opened deeper emotional paths while Edebiri’s voice offered a necessary anchor. These dynamics, they imply, translated into the film’s charged landscape of ambiguity and moral confrontation. If you like, I can pull more from Garfield’s or Edebiri’s own interviews to enrich the piece.

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