The John Wick franchise isn’t just about stylish shootouts and slick suits; it’s a whole underworld carved out beneath the surface of ours. Across four films (and a spinoff or two), we’ve watched Keanu Reeves’ legendary hitman drag himself through waves of violence, sacred rules, and bloody debts. It’s not just a story of revenge anymore; it’s a deep dive into a hidden society where death has its currency and honor is deadly serious.
Among the shadowy factions in Wick’s world, one group stands apart, cloaked in mystery and tradition. Introduced in John Wick: Chapter 3 – Parabellum, they’re the ones John turns to when all doors seem closed. Their home is marked by discipline and silence. They don’t just train; they transform. What they gave Wick isn’t kindness, it’s survival wrapped in pain and ritual. Their influence runs deeper than guns or contracts. It is personal.
The Ruska Roma, as they're eventually revealed to be, are more than just a crime syndicate. They're a matriarchal, Romani-rooted crime family that operates under a strict code. Run by the Director, played by Anjelica Huston, they raise orphans like Wick on brutal training grounds masked as cultural institutions, blending performance with pain. Their allegiance is to tradition and blood, not politics. They’re the foundation of Wick’s assassin identity, a reminder that before he was Baba Yaga, he was Jardani Jovonovich, a child shaped by fire, not fate.
How the Ruska Roma were explored in the John Wick films
The John Wick franchise is known for its sleek gun-fu action, neon-lit assassins, and an underworld that somehow feels both mythic and deeply grounded. Across four films, it doesn’t just show us a man seeking vengeance; it shows us a man shackled to his past. As the body count rises, so does the intrigue around where John Wick came from, and what exactly forged the unstoppable force he’s become. That question leads us to a mysterious group lurking quietly in the shadows: the Ruska Roma.
We’re first introduced to them in John Wick: Chapter 3 – Parabellum. Seeking escape from the consequences of breaking the High Table’s rules, Wick turns to an old connection, a woman known only as “The Director.” She runs a grim ballet academy in New York, where dancers rehearse next to fighters. It’s not just a school, it’s a sanctuary, a forge for killers. And it’s here we learn that John Wick was once Jardani Jovonovich, a child taken in by the Ruska Roma and raised under their brutal, sacred code.
Though John left that life behind, his ties to the Ruska Roma remain deep and complex. In Chapter 3, he cashes in his “ticket,” a talisman of belonging, to request safe passage. In doing so, he burns his last tie to his adoptive family, a symbol of sacrifice that speaks volumes.
In Chapter 4, the bond is rekindled. To gain the right to duel the High Table, John must be reaccepted into the clan. That means proving loyalty through blood, facing trials, and confronting old wounds with Katia, his adoptive sister. The Ruska Roma didn’t just give John his skills; they gave him his name, his training, and his first taste of survival. In their world, nothing is given without consequence.
How the Ruska Roma are explored in Ballerina

In Ballerina, the Ruska Roma aren't just a shadowy footnote in John Wick's past; they take center stage, fierce and fully formed. The story unfolds between John Wick: Chapter 3 – Parabellum and Chapter 4, tracing Eve Macarro’s transformation from grieving orphan to weapon of vengeance, raised under the cold choreography of this lethal order.
Her father, a loyal Ruska Roma agent, is murdered by a sinister cult. Winston, ever the puppetmaster, delivers her to the Director’s infamous ballet academy in New York, where pain is an art and survival is a routine. Over twelve years, Eve is sculpted into something deadly. Her ballet becomes warfare. Her arabesques, sharp enough to draw blood. And behind the curtain? A legacy of inked skin, quiet rituals, and discipline that demands both love and lashes.

Under the Director’s unyielding gaze, Eve learns that family in the Ruska Roma isn’t a comfort, it’s a code. But when she breaks ranks to avenge her father, she fractures more than the rules. She threatens a fragile truce with a rival cult, and the clan sends John Wick to stop her. Instead, Wick does what Wick does best: he rewrites the rules. He doesn’t silence her; he stands beside her.
By the end, Eve finds the Chancellor in Austria and makes her kill. Her revenge is exact. Her loyalty, self-defined. And in the wake of her choices, the Ruska Roma are left reeling. Because for them, loyalty isn't submission, it’s choosing who you're willing to bleed for.
What is the Ruska Roma inspired by?
The Ruska Roma in John Wick don’t just feel like a cult or a gang, they feel like myths. But dig past the cinematic flair, and you’ll find that their roots are tangled in something very real.
Their name borrows from the actual Ruska Roma, a subgroup of the Romani people who settled in Russia and Belarus. Historically nomadic, they were marginalized, stereotyped, and often hunted. During Soviet times, their culture was nearly erased, their movements restricted, and their stories drowned out. What survived was grit. Ritual. Loyalty. All of which pulse through the Ruska Roma of the screen.
In real life, these communities often centered around matriarchs and spiritual traditions, a potent mix of Orthodox Christianity and folk magic. The Ruska Roma in the films echo this: tattoos that mark blood-bound allegiance, ballet and combat treated as sacred artforms, and a ballet academy that doubles as a brutal crucible for assassins. Every pirouette is a prayer. Every bullet, a sacrament.
Even Wick’s name, Jardani Jovonovich, nods to Romani and Slavic heritage. His training in ballet and Russian sambo? Pulled right from cultural cross-sections of survival and performance.
In essence, the Ruska Roma in John Wick are a heightened echo of a real people, twisted into something darker, stylized, operatic. They’re inspired by centuries of displacement and resilience, reshaped into a world where grace kills and family is forged in fire. It’s fiction, sure, but it dances eerily close to history.
The John Wick films are available to stream on Lionsgate Play and Prime Video.
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