'%20x='0'%20y='0'%20height='100%25'%20width='100%25'%20%0A%20%20%20%20%20%20%20%20%20%20xlink%3Ahref='data:image/jpg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAGAAoDASIAAhEBAxEB/8QAFgABAQEAAAAAAAAAAAAAAAAAAAQG/8QAHxAAAQQCAwEBAAAAAAAAAAAAAQIDBBEABQcSISJx/8QAFAEBAAAAAAAAAAAAAAAAAAAABP/EABkRAAIDAQAAAAAAAAAAAAAAAAABAgMRIf/aAAwDAQACEQMRAD8AwnEO/n6tybu4RaQ7FQejR7KbSVn7KUk0LAP75l8rl3avSnnXYsZbi1lSlURZJ9NX5jGEuisQ2jren//Z'%3E%3C/image%3E%3C/svg%3E)
Some TV characters just stick with you in a way others don’t. They show up on screen and instantly pull focus without trying too hard. You start watching a show for the main story, but end up waiting for this one character to appear again. Their scenes always feel sharper.
These TV characters' presence always feels bigger. You wonder what they’re doing when the episode moves on without them. Some of these characters already have spin-offs that proved how strong they were. Others never got the chance, but fans still talk about what could have been. Their stories never felt finished. Their energy never really faded even after the show ended.
Maybe they were the funniest. Maybe they were the most chaotic. Maybe they had a backstory that always felt more interesting than what the main plot offered. Whatever the reason was, you just knew they had more to give.
These are the characters who could lead a show from the front. They could hold an audience all on their own. You would not question it. You would just hit play. Here are seven characters whose spin-offs would not just work. They would dominate.
7 best TV characters whose spinoffs we'd watch in a heartbeat
1. Mike Ross – Suits
Mike Ross did not just leave for Seattle. He walked into a new legal world where nothing was familiar and every win had to be earned. The idea of a spinoff here is not just about continuing his story. It is about seeing him stripped of everything that gave him shortcuts. No more fake résumé. No more Harvey. No reputation to lean on.
In Seattle, this TV character was supposed to lead a legal clinic focused on helping people who had no access to real justice. That setting would bring him face-to-face with broken systems and real stakes. He would be working with young lawyers who do not know his past but judge him for what they see now. His choices would carry more weight. His mistakes would actually cost something.
We never saw that version of Mike for more than a few minutes. A spinoff would finally give him that second life.
2. Rosa Diaz – Brooklyn Nine-Nine
Rosa Diaz never needed anyone else to be interesting. From her first scene, it was clear that her story had more going on than the show could cover. A spinoff would be the perfect place to let her carry her own world. Whether she is working cases solo or leading her own precinct, Rosa brings intensity without saying much.
The original show gave us hints. This TV character had a complicated past, a guarded nature, and the kind of skill that made her the best cop on the team. Her coming-out arc added another layer. That story still feels unfinished. A series focused on her could explore her relationships and the cost of always playing tough.
Rosa stands out because she always held something back. A solo show would let her reveal more. It would give her space to be messy and bold without having to play the side character anymore.
3. Ben Chang – Community
Ben Chang never fit into any box. He changed jobs, roles, and personalities so often that it stopped being weird and started being expected. A spinoff built around him drifting from one bizarre school to another could work because Chang never had a clear identity to begin with. He was chaos that somehow held together.
The original show let this TV character be wild, but it never gave him structure. That could be the hook. Each episode could drop him into a new role where he either helps or ruins everything. Sometimes he would be the hero. Sometimes he would be the problem. His unpredictable nature is exactly what makes him perfect for a format that resets constantly.
Ken Jeong made Chang more than comic relief. He made him unhinged in a way that somehow still felt honest. Giving him his own stage would show just how far that energy can go.
4. Daryl Dixon – The Walking Dead
Daryl Dixon did not start as a lead. He grew into one because he never asked for attention and always delivered when it mattered. By the time The Walking Dead reached its later seasons, he had become the quiet core of the group. His survival was not just physical. It was emotional, too.
When AMC sent this TV character to France for the spinoff, it made sense. New setting. New language. No support system. Watching Daryl navigate all of that is not just about zombies. It is about someone learning how to exist again. He never had big speeches. He always moved with purpose.
What made his original arc powerful was how much he changed without saying much. A spinoff lets us watch that process continue. Every new connection he makes, every decision he takes alone, reminds us that the apocalypse does not end a story. Sometimes it just gives it more room.
5. Janine Teagues – Abbott Elementary
Janine Teagues brings energy into every room, whether anyone wants it or not. In Abbott Elementary, she is the type of teacher who plans themed days, prints out vision boards, and never stops hoping things will improve. A spinoff could take that energy on the road. Different cities. New schools. Bigger challenges.
There is potential in watching her go from one underfunded school to another. She would try to fix things with enthusiasm and small wins while learning where good intentions fall short. It would show how hard education is when politics and burnout start pushing back.
The original show gave her a solid base. A spinoff would push her further. She would fail more. She would grow more. She would keep fighting even when it no longer felt inspiring. That journey matters because it shows what real teaching looks like when no one claps at the end of the day.
6. Titus Andromedon – Unbreakable Kimmy Schmidt
Titus Andromedon was never meant to blend in. He wore drama like a second skin and turned every failure into a performance. On Unbreakable Kimmy Schmidt, he was comic relief with real dreams. A spinoff could drop him into the New York theater scene full-time and follow what it takes to survive it.
He is not just funny. He is flawed in ways that hurt him and help him. He wants fame but struggles with the grind. He wants love, but sabotages it. A solo show could track his rise—or lack of it-with auditions that go nowhere and side jobs that crush his ego.
Under the jokes, there is a man who wants to be seen and taken seriously. That is what would keep the show grounded. Titus chasing the spotlight while barely holding himself together is exactly the kind of story people keep watching.
7. Logan Roy (Prequel) – Succession
Logan Roy did not become ruthless overnight. He had a past that Succession only showed in pieces. A prequel could fill in everything we missed. Set in the 1970s or 1980s, it would follow him building Waystar Royco from scratch. No family legacy. Just ambition and sharp instincts.
The show hinted at trauma. This TV character grew up in poverty. He lost his sister. He feared weakness more than failure. All of that shaped how he treated his children and his employees. A younger Logan making cutthroat choices to rise in the media world would be more than a corporate drama. It would be personal.
Every time Logan shut someone down in Succession, it came from somewhere. A prequel would give context to that power. It would show how he chose survival over softness. Watching that transformation happen in real time would not make him sympathetic. It would just make him real.
Trending
Follow for more updates.
Reply
