9-1-1: Nashville becomes a streaming hit on Disney+ despite mixed reviews - Here are the viewership numbers

9-1-1: Nashville landed on ABC and quickly became one of the top dramas streaming on Disney+ and Hulu. The series has managed to draw impressive viewership numbers, even though critics can’t quite agree on it.

The numbers, though, are hard to argue with. During its first week, the show pulled in 12.4 million viewers across ABC, Hulu, Disney+, and other platforms. That’s a huge leap, representing a 231% boost over the audience who watched live on premiere night.

9-1-1: Nashville kicked off on October 9, 2025, and by now, three episodes have dropped. Episode 4 comes out October 30, and with at least eight episodes in the season, there’s still plenty more to come. If the schedule holds, the finale should land in late November.

The cast brings some big names: LeAnn Rimes, Kimberly Williams-Paisley, Chris O’Donnell, Jessica Capshaw, Hunter McVey, and Michael Provost. Being the first 9-1-1 spinoff on ABC, a lot was riding on it. The franchise already has a strong track record of success, and the numbers so far show viewers are showing up, even if critics aren’t totally sold by its formula.

Breaking down 9-1-1: Nashville’s viewership stats

By mixing ABC, Hulu, Disney+, and digital streams, 9-1-1: Nashville managed a blockbuster debut. According to official multiplatform ratings, 12.4 million people tuned in during its first seven days across all platforms. That’s a 231% jump over the live, same-day crowd of 3.75 million. Among adults 18-49, it scored a 1.51 rating, a solid number that advertisers care about.

As per The TV Ratings Guide, even if you ignore reruns, the show still drew 7.8 million viewers, more than doubling ABC’s core audience. That makes it ABC’s second-biggest drama premiere for streaming this past year, just behind High Potential, according to seven-day numbers from Hulu and Disney+.

When you stack it against other 9-1-1 shows, 9-1-1 Nashville’s 18-49 demo matched the original’s debut exactly: both hit 1.51. Still, 9-1-1 Nashville came in about half a million viewers short in total numbers.

Ratings dipped slightly in week two, then bounced back a bit in week three. So, people are sticking around, but it’s hard to tell if it will keep up the pace long-term.

The show is holding against big hitters like Law & Order: SVU and Matlock, which is a good sign if you are hoping for a renewal. But ABC’s careful approach, especially after keeping Doctor Odyssey alive, shows they are playing it safe with the new series.

Streaming buzz is strong, too. TelevisionStats put 9-1-1 Nashville among the top 50 ABC shows for popularity in October, and FlixPatrol says it broke into the global Disney+ Top 10 in the month’s final week. Disney pushed the show hard on its platforms, and the big disaster premiere featuring a wild tornado sequence definitely helped get people talking.

As for the critics, their responses are all over the place. Some say the writing feels forced, the plotlines don’t always make sense, and there are just too many characters thrown in at once. IMDb reviews echo lots of talk about “bad writing” and “unrealistic stories.”

But it’s not all bad. Most agree the cast is strong, the production looks great, and the show isn’t afraid to go big, mixing wild emergencies with moments of heroism and humor.

Variety and Decider both point out that, while some situations are over the top, the show knows how to deliver spectacle. The Nashville setting and its touches of local culture also give the show something special you don’t see in the other 9-1-1 series.

What is 9-1-1: Nashville about?

9-1-1: Nashville drops you right into the chaos and heart of Nashville, Tennessee, where firefighters, paramedics, and cops rush headlong into wild, life-or-death emergencies, some you would only see in a city built on country music and big dreams.

But it’s not just flashing lights and sirens. The show leans hard into the Hart family’s tangled relationships, mixing up rescue missions with personal drama that keeps things tense even after the flames die down.

Right out of the gate, you meet Captain Don Hart, a seasoned firefighter who was once a rodeo rider, and his son Ryan, plus Blythe Hart. The team gets even more interesting with Blue Bennings, who is as ambitious as they come, and Dixie Bennings, a singer who has her own agenda.

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The first few episodes throw everything at them: a tornado hits a country music festival, there’s a bachelorette party gone very wrong, and Don’s secret son Blue shows up, thanks to Dixie’s scheming.

These responders don’t just face one crisis after another; they are also dealing with secrets, old rivalries, and plenty of family baggage. That’s the magic of the franchise: edge-of-your-seat action, but always with messy, real people at the center of it.

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