All licensed songs featured in Daredevil: Born Again’s episode 2 - Optics - and their connections to the plot, explored

Music in Daredevil: Born Again isn’t just a background element. It's a scalpel, slicing into the narrative with precision. Episode 2, Optics, carries a different weight from the first, not as drenched in sound but still deliberate in its choices.

Each track in this episode of Daredevil: Born Again isn’t just there to set the mood; it deepens the storytelling, revealing layers beneath the surface.

From the aching nostalgia of Cashmere to the suffocating defiance of Get Free, from the ironic echoes of Amazing Grace to the unmistakable pulse of El Party, every song in Optics stitches itself into the fabric of the story. Whether it’s dragging Matt Murdock back into memories he can’t outrun or amplifying the presence of you know who, this episode’s soundtrack doesn’t just accompany the plot—it weaponizes it.

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"Cashmere" – TENTS

A song about yearning for the past, about looking back at a time that felt whole, even if it was chaotic. Sound familiar? This plays at a moment when Matt is left to stew in his thoughts, the weight of everything pressing down. The lyrics hit like a punch to the ribs:

"I miss the wonder / I miss the old flame

Maybe when we're older, we'll get back to home base"

Matt has always been haunted by his past, but Born Again makes it clear—there is no ‘home base’ left. His world has already burned. And yet, there’s that flicker, that tiny, foolish hope. Maybe, just maybe, it’s not too late to reclaim something.

But the rest of the song reminds us that some things can’t be undone:

"But time’s a touchy mistress

Maybe '97’s better left behind"

The past isn’t just a place Matt can’t go back to—it’s a trap. And Cashmere plays like a quiet warning.

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"El Party" – Xcelencia

Now, this one? This one is about him.

The moment El Party kicks in, the scene shifts. The pulsating reggaeton beat, the luxurious references, the electric tension—it’s all unmistakably his presence taking over. Wilson Fisk is back, and the music makes sure you feel it.

"Ella tiene más curvas que un Ferrari

El panty de Fenty, las prendas Bulgari"

Luxury, excess, control. Fisk isn’t a man who just exists; he dominates the space around him. And El Party isn’t just about celebration; it’s about power, temptation, and the consequences that follow.

"Dime qué hacemos después del party"

What happens after the show, after the deals are made, and after the masks come off? That’s the real question. The song isn’t just background noise—it’s a statement. Fisk is back in the game, and no one leaves unscathed.

It's a Latin song, so, of course, it's also a nod to Hector Ayala, aka, the White Tiger.

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"Amazing Grace" – Traditional (Arr. Terry Keating)

A hymn of redemption. A song of salvation. And yet, in Daredevil: Born Again, it doesn’t sound like hope—it sounds like irony.

Amazing Grace plays over a moment of reflection, but there’s no true peace in it. Matt Murdock has spent his life walking the razor’s edge between faith and violence. He wants to believe in redemption, in grace. But he also knows that, for someone like him, salvation isn’t just unlikely. It’s unattainable.

The weight of the hymn lingers, filling the silence with something heavy, something unresolved. In a world like this, can anyone truly be saved? Or is this just another illusion, another lie Matt tells himself?

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"Get Free" – The Vines

If one song could sum up Daredevil: Born Again, it’s this:

"I'm gonna get free

I'm gonna get free

I'm gonna get free

Ride into the sun"

It sounds almost triumphant at first—a declaration, a breakaway. But the next lines twist the knife:

"She never loved me

She never loved me

She never loved me

Why should anyone?"

Freedom? Or exile? Matt has always been trapped between two worlds, never fully belonging to either. And the truth is, no matter how much he fights and how much he sacrifices, he will always be alone.

"Move out of California"

Or, in his case, move out of Hell’s Kitchen. But we all know the truth. He can’t. He never really leaves. And the song doesn’t let you forget that.

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Music as a narrative weapon in Daredevil: Born Again

Every song in Daredevil: Born Again, episode 2, Optics does more than set the stage. It pulls us deeper into Matt’s unraveling.

Cashmere drags us into the past, forcing us to feel the ache of something lost.

Xcelencia's El Party reminds us that power never sleeps, and neither does Fisk.

Amazing Grace plays like a ghost, whispering a promise Matt knows he’ll never hold.

And Get Free? That’s the nail in the coffin.

There is no escape. Not from the past, not from Fisk, not from himself.

Matt Murdock might still be standing. But for how much longer?