Anger is television's most forceful emotion. Some characters wear it like a second skin. Whether it's a deliberate tantrum, a volcanic explosion of emotion, or a simmering boil just below the surface, these television characters became legendary because of their tempers. Their anger was not about door-slamming or shouting. It was a glimpse into deeper feelings: grief, trauma, frustration, and sometimes even love distorted into something unstable. In a world where audiences are attracted to complex and flawed personalities, these characters are notable not only for how loud they became, but for why they became that way.
From gang leaders who operated by fear to cartoon characters who used sarcasm and spite to cover their pain, anger was often their survival tool and occasionally, their downfall. Series such as Breaking Bad, Succession, and BoJack Horseman entertained, but also forced viewers to consider rage a little more seriously than just a character flaw.
Here's a list of seven iconic television characters who fought their own tempers, sometimes for comedy, sometimes to stay alive, and sometimes simply because rage was the only thing they understood. Each one left a legacy, and that's evidence that anger, when well-written, is gold in terms of storytelling.
7 Characters from TV Shows who had immense anger issues
1) Tommy Gavin – Rescue Me

Denis Leary's performance as firefighter Tommy Gavin is an incendiary mix of trauma, guilt, and uncontrolled anger. "Rescue Me" plumbs the depths of a man tormented by 9/11, whose rage frequently conceals his sorrow. What makes Tommy intriguing isn't his temper per se. It's how unvarnished and visceral it is. Leary, the show's co-creator, used true firefighter tales as inspiration, investing Gavin's emotional instability with a searing verisimilitude. Even years after the show ended, Tommy is still an excellent example of how anger, coupled with unresolved trauma, can destroy a man from the inside out. His rage is embodied, yet never one-dimensional.
2) Tony Soprano – The Sopranos

As the mob boss who sought therapy, Tony Soprano redefined masculinity and mental health on television. His sudden, volcanic anger would erupt in both family dinners and mob dealings, making him terrifyingly unpredictable. James Gandolfini’s masterful performance humanized Tony, showing how deep-rooted childhood issues and the pressure of leadership fueled his fury. HBO recently reignited interest with The Many Saints of Newark, drawing attention back to Tony’s origins. Even decades after the fact, Tony's rage is iconic in its ferocity, to be sure, but also its vulnerability. He was the first of a litany of TV antiheroes, but no other used rage with such psychological depth.
3) Walter White – Breaking Bad

Walter White's evolution from soft-spoken educator to meth kingpin is a slow burn ignited by pent-up rage. His now-famous "I am the one who knocks" monologue was the point at which his rage took over. Unlike volatile characters, Walter's rage is calculated, bubbling beneath egos and resentments. El Camino and Better Call Saul provided new depths to his legacy, showing us how much of his downfall was rooted in old resentment. His rage isn't merely reactive; it's calculated. Bryan Cranston introduced us to a man whose rage didn't merely destroy others, it rebuilt him from the ground up. Walter's rage is Shakespearean in scope.
4) Logan Roy – Succession

Logan Roy does not merely rage, he weaponizes it. The HBO patriarch dominated his kingdom through intimidation, spewing insults like grenades and tormenting his kids with searing anger. Brian Cox's acting embodied the frightening acuity of a man who viewed weakness as vulnerability. Even after his own surprising departure in Season 4, Logan is present, particularly in the manner in which his fury influences the dysfunction of his children. Recent Emmy awards for the show illustrate just how culturally significant his character is. Logan's anger wasn't emotional; it was strategic, a means to control boardrooms and shatter his own bloodline's will.
5) Frank Costanza – Seinfeld

Frank Costanza infused sitcoms with a special brand of comedic ire. Portrayed by Jerry Stiller with side-splitting ferocity, Frank's screaming became the stuff of legend, so much so that "Serenity now!" became part of pop culture slang. His quick temper, topped off with eccentric parenting practices and ridiculous showdowns, made each tantrum memorable. Stiller's improv mastery imbued Frank with messy charisma, paving the way for many sitcom dads to follow. Current social media nostalgia has brought renewed interest in his greatest scenes, illustrating that although Frank's anger was acted out for humor, it had a disproportionate influence on the history of sitcoms.
6) BoJack Horseman – BoJack Horseman

BoJack's anger isn't noisy, it's messy, erratic, and intensely self-destructive. Netflix's BoJack Horseman depicted a has-been celebrity whose unresolved trauma regularly expressed itself as bitterness, drug use, and lashing out at those who loved him. His rage wasn't aimed at others; it ricocheted back on himself, destroying relationships and careers. In the last season, fans witnessed his struggle with responsibility, so his anger became achingly real. Even in a world of talking animals, BoJack's rage felt painfully human. The show, still talked about for its emotional authenticity, examined how anger is frequently rooted in childhood trauma and untreated depression, making BoJack one of animation's richest characters.
7. Red Forman – That '70s Show

Red Forman is the grumpiest dad on TV, and his affection for hardline discipline and constant barrage of "dumbass" epithets are legendary. Played by Kurtwood Smith, Red's wrath was amplified for humor but frequently grounded in war trauma and generation differences. With Netflix's revival series That '90s Show, Red's personality got a new millennium makeover, still cranky, but with a touch of rough-around-the-edges softness and grudging sage advice. Audiences enjoyed watching his legendary temper brought into the modern age, now aimed at grandkids rather than Eric. Red's rage never went away. It just adapted, demonstrating that some sitcom tropes, when executed correctly, can be humorous and timely for decades.