Netflix’s Steve adapts Max Porter’s acclaimed novella Shy into a painfully intimate drama about a reform school fighting to stay alive and about the people who hold it together until they can’t anymore.
Directed by Tim Mielants and anchored by Cillian Murphy’s raw, weary performance, Steve unfolds over one chaotic day at Stanton Wood Manor, a “last-chance” boarding school for troubled boys. By the time the credits roll, both the headteacher and one of his most fragile students have stood on the edge of disappearing.
The ending of Steve refuses to give easy closure, leaving us viewers with haunting questions about survival, care and institutional collapse.
Trigger warning: This article discusses suic*de, addiction, depression and the emotional toll of neglectful systems. It contains detailed descriptions of self-harm attempts and mental health crises that may be distressing for some readers. Proceed with caution if these subjects are triggering or overwhelming for you.
Shy’s slow unravelling
Seventeen-year-old Shy spends most of the film retreating further into isolation. His life is already marked by instability, but it's a devastating phone call from his mother that pushes him into deeper despair. She decides to cut ties completely, dismissing him as someone she can no longer help or even acknowledge. This rejection is not loud or theatrical; it seems cold and final.
For Shy, who clings to any thread of belonging, the call is like a door slamming shut. Teachers such as the newly arrived Shola Marshall and therapist Jenny notice his withdrawal, his silences and the small signs that he is slipping into danger.
Jenny warns Steve that Shy might be at risk, but Steve is overwhelmed. He is drowning in chronic pain, the sedative haze of prescription opioids and the crushing news that the school is being shut down and sold off. His capacity to respond is gone.
Steve shows how suffering rarely arrives as a single dramatic blow. It creeps in through exhaustion and neglect. Shy still participates in the school’s routines, but without hope. He stops journaling, abandons his breathing exercises and starts to smoke again even though he knows it's not allowed. These details feel small, but together they form a portrait of someone giving up. The tragedy is that everyone around him is stretched too thin to stop the slide.
The night by the water
That night, Shy walks out into the dark carrying a backpack filled with rocks. His plan is simple and wordless: to walk into the pond behind the manor and disappear under the weight.
Steve, intoxicated and sedated, wakes late but senses something is wrong when he finds Shy’s empty room and a farewell note. Even at his lowest, he staggers into action. The search is clumsy and desperate, with him tripping, falling and barely able to stay upright, but he still goes because some part of him refuses to let go of the boy.
At the water’s edge, the film slows to an almost unbearable stillness. Shy could vanish forever. Instead, in a small but seismic act, he turns away from the pond. He takes the stones meant to drown him and uses them to smash a window, forcing his way back into the building and, symbolically, back into life.
This is not framed as a triumphant breakthrough; it's raw survival. The scene acknowledges that choosing to live can be an unglamorous, fragile decision, especially when despair has hollowed everything else out.
A day of endings for Steve
The next morning, Steve drives home to his wife and daughters. He greets them, kisses them, and for a moment the ordinary domestic scene seems like comfort. Yet the visit feels like a farewell. He is bone-tired, ashamed and weighed down by failure.
The school that once gave his pain meaning is slipping away, and with it the only place where he felt he could make a difference. Steve, now back at home, sits down and records a cassette for Shola. On it, he goes through each boy by name, describing their quirks, strengths and private hopes. He wants Shola to see them as he does, as whole people and not problems to be managed. It is an act of love and legacy, the clearest sign that despite everything, he has tried to leave behind something that might help.
When the recording is done, Steve heads up to the attic. The camera follows only part of the way and then stops. He's filthy from the night before, still dulled by pills and alcohol, and emotionally hollowed out by the school’s imminent closure. What he does next is never shown. The attic becomes a threshold the audience cannot cross.
Reading the silence
The film’s refusal to show what happens to Steve is deliberate and deeply unsettling. It can be read in several ways, none of them simple.
One reading is exhaustion taken to its final edge. Steve has spent years saving others while avoiding his own collapse. The addiction to painkillers, the car accident that haunts him, the impossible fight to keep Stanton Wood alive, all have hollowed him out. By the time he helps pull Shy back from death, there's nothing left for himself. The attic scene may signal that he cannot go on.
Another interpretation is that the movie mirrors the reality of depression: there is no single redemptive moment that guarantees survival. Shy turned back from the water and be alive for another day, but Steve may still be standing at his own edge. The ambiguity forces viewers to sit with that discomfort rather than expect a clean recovery arc.
There's also a quieter hope buried in the darkness. Shy’s return is a direct echo of Steve’s care. The tape he leaves for Shola is tender and thoughtful, proof that his empathy has not vanished even when he's depleted. His influence may continue in the lives he has touched, even if he cannot stay whole himself.
Finally, the ending is a critique of the system around him. Stanton Wood was designed to give second chances, but chronic underfunding, political indifference and social stigma have made its survival impossible.
Steve’s collapse is personal, but it is also what happens when a person is left to carry an entire failing structure alone. The film’s silence on his fate feels like an indictment of a world that applauds care but refuses to sustain it.
Why this ending stays with you
The film closes not with answers but with an ache. It shows that saving someone once does not guarantee that the savior survives. It honors the small, human acts, a tape of encouragement and a window smashed to re-enter life, while refusing to pretend that empathy can withstand systemic abandonment forever.
Shy lives another day because someone believed in him. Whether Steve lives to see tomorrow is left unresolved, a reminder that hope is fragile and that those who carry others often need saving too.