Dope Girls opens with a bold reminder that while the series draws on real history, everything on screen is entirely fictional. Set in the aftermath of the First World War; the drama follows a group of women carving out a new life in Soho’s underworld.
Among them is Kate Galloway, whose rise mirrors that of real nightclub monarch Kate Meyrick, yet her story unfolds through the imaginations of writers Alex Warren and Polly Stenham. The creative team drew heavily on Marek Kohn’s 1992 non-fiction book Dope Girls: The Birth of the British Drug Underground; but they wove together multiple sources to craft a fresh narrative rather than a strict biography.
In the show, you’ll see thrilling club scenes, whispered deals, and betrayals, all wrapped in the smoky glamour of the 1920s Jazz Age. The series paints a vivid portrait of women stepping into roles long denied to them: Running venues, dealing with law enforcement, and navigating dangerous liaisons.
Yet, despite its pulse-quickening drama, the show never claims to relive precise historical events. Instead, it invites viewers into a “forgotten time in history,” blending fact and fiction to examine broader themes of empowerment and survival.
A look at the real inspiration behind the drama

The title comes directly from Marek Kohn’s exploration of Britain’s early drug underground. Although the series borrows that striking name; it does not follow Kohn’s book word for word.
Executive producer Jane Tranter confirmed that the writing team “pulled from a number of different pieces of source material” to create their story. While Kate Meyrick’s real-life rising from financial struggle to nightclub empire served as a starting point, the characters in the show are largely inventions of imagination.
How do the writers balance fact and fiction?
The two writers, Alex Warren and Polly Stenham had to dig in to merge factual account of history with playwright techniques. They started with proven facts: In the post-1918 London, there was an influx of illegal clubs and an emergence of the drug business led by such characters as Edgar Manning and the cabaret diva Billie Carleton.
Based on that, they drew out lies, love affairs and intrigues of power, and betrayal to present to the viewers an engaging story as opposed to a boring history lesson. The outcome is Dope Girls as a form of entertainment as well as an eye-opener to a violent time.
Why does Dope Girls not claim to be a true story?

At the start of each episode, a title card reminds the audience that “all events and characters are fictional.” This disclaimer underlines the creative liberties taken in Dope Girls.
By fictionalizing key figures, the series avoids the pitfalls of strict biopic storytelling and instead uses its characters to examine wider social shifts. The choice not to present itself as a documentary keeps the focus on emotional truth, the challenges women faced in claiming independence in postwar Britain rather than on precise historical accuracy.
What history reveals beyond the drama?

Research into the era reveals a London in flux: roughly 150 illegal nightclubs sprang up between 1914 and 1918, offering new roles for women as proprietors, entertainers, and nightlife moguls. While the show dramatizes this world with slick visuals and heightened tension; the real history was often harsher.
Drug use carried heavy social stigma, and many women like the real Billie Carleton suffered tragic ends. Understanding these facts enriches the viewing of Dope Girls, showing how fiction can illuminate, but never fully capture, the true struggles of that time.
Dope Girls is best enjoyed as a period drama that captures the spirit of an era while acknowledging its own invented nature. It brings alive the energy of post-WWI Soho and the daring of women who defied convention; stories inspired by history, told through the lens of creative storytelling.