“It’s literally the same thing” - Alien: Earth creator reveals how Episode 5 pays homage to the original 1979 film

25th Annual Texas Film Awards - Inside - Source: Getty
25th Annual Texas Film Awards - Inside - Source: Getty

Alien: Earth released Episode 5, titled In Space, No One…, and creator Noah Hawley made it clear that he wanted that hour to feel very close to the original Alien films. Noah Hawley used the ship plans, sets, and a tight, ship-bound story to recreate the kind of closed-in threat viewers associate with the Nostromo.

“It’s literally the same thing. We used the original blueprints. Most of the rooms, the bridge, the mess hall, hallways, they’re literally copied from the Nostromo,” he said when describing the decision to match the earlier films’ layout.

Hawley also described the episode as a kind of short, standalone Alien movie within the series and said he wanted to pack the same slow-building tension and sudden shocks into roughly an hour.

He wrote and directed the episode himself because he felt the material needed a single guiding hand.

“I wanted it to be the best ‘Alien’ movie that I could make in, whatever, 63 minutes or something,” he told Entertainment Weekly.

Later, he added that he could not hand it off to another director.


Alien: Earth Episode 5 recreates the ship’s look and feel

"Alien: Earth" European Premiere - Special Access Arrivals - Source: Getty
"Alien: Earth" European Premiere - Special Access Arrivals - Source: Getty

Alien: Earth episode puts viewers back on the USCSS Maginot and leans on practical set design to match the original films’ cramped corridors and control rooms. That choice is not a simple copy; it is a deliberate use of the same spatial logic, so tension builds from the way space constrains movement and sight. The physical similarity is meant to make the threat feel immediate, i.e., tight hallways, low ceilings, and dim lighting that limit escape and sight lines.


The plot emphasizes small, creeping threats that escalate

2025 Comic-Con International: San Diego - FX's "Alien: Earth" Panel - Source: Getty
2025 Comic-Con International: San Diego - FX's "Alien: Earth" Panel - Source: Getty

The story of Alien: Earth shows how a round of sabotage set the ship on a fatal course and how alien organisms smuggled aboard produce a chain of grisly events. Crew members find tiny parasitic organisms hidden in water bottles and face an especially disturbing creature called the Eye, which produces body-horror moments that build over time into full-scale panic. The episode focuses on a small group of sailors and technicians whose situation grows worse by error and misfortune rather than grand spectacle.


Noah Hawley’s intent and his hands-on role in Alien: Earth

"Alien: Earth" European Premiere - Arrivals - Source: Getty
"Alien: Earth" European Premiere - Arrivals - Source: Getty

Hawley has described this hour as his way of showing he could deliver classic Alien suspense inside a TV format. He said he took on directing because the sequence of events needed a single vision:

“I thought, ‘I can’t give that to a different director. I need to do it.’ Part of the joy, for me, of that fifth hour is everything goes wrong,” he told TheWrap.

That approach extended to pacing, camera work, and sound design to emphasize sudden shocks and slow dread rather than constant action.


How does this hour fit the wider series?

Alien: Earth Episode 5 fills in how the Maginot crashed and what happened to its crew, and it gives more context to characters who appear later in the season. The hour does not replace the show’s larger themes, corporate interest in alien life, synthetic and hybrid beings, and questions about control, but it adds a focused, self-contained chapter that slots into the broader arc without overwriting it.


Noah Hawley’s choice used familiar ship plans, tight scenes, and practical horror to give viewers an hour that resembles the film many remember. The result is not a remake; it is a deliberate echo meant to show how the series can both reference the past and keep moving its own story forward.

Edited by Sarah Nazamuddin Harniswala