Peacemaker Season 2 episode 7 review — Like a Keith in the Night — Escape, fractured fathers and a shattering homecoming

From the opening of Peacemaker | Image via: HBOMax
From the opening of Peacemaker | Image via: HBOMax

Peacemaker charges into its penultimate hour with the kind of raw chaos that feels ripped from a gritty comic panel. Episode 7 doesn’t just push Chris Smith across enemy lines; it tears him through the multiverse, forces him to stand in front of a father who’s more complicated than any villain so far, and then drops him back home in chains.

Peacemaker is just how we know it has always been: loud, bruising and deeply human beneath all the dimension hopping chaos.

Chris in Peacemaker | Image via: HBOMax
Chris in Peacemaker | Image via: HBOMax

A desperate breakout that sets the tone

The penultimate episode of the second season of Peacemaker wastes no time plunging Chris and Harcourt into danger. Trapped in an A.R.G.U.S. installation on an Earth ruled by Nazi victory, they claw their way out with pure survival instinct. Alarms wail, guards scatter, and the escape feels ragged and physical, the kind of sequence where every hit counts. Chris’s motorcycle becomes their lifeline as they ride across hostile streets, determined to find their scattered team before this world swallows them.

Meanwhile, Adebayo runs for her life through neighborhoods ruled by Nazi loyalists. Judomaster’s entrance is electric as he tricks her pursuers into a pool and shocks them in one brutal move. Their reluctant partnership is born in panic but plays with real spark; it’s two characters who don’t trust easily suddenly forced to lean on each other.

A multiverse built from personal wounds

In the other dimension on Peacemaker, Rick Flag Sr., paired with Sasha Bordeaux, chases the dimensional rift using intel fed by Lex Luthor. Their subplot doesn’t drag; it’s lean, dangerous fieldwork that frames how fragile these realities have become.

At the same time, this episode of Peacemaker begins to show what makes this alternate Earth more than a gimmick. It’s a world scarred by a Nazi win, but the storytelling refuses to flatten everyone into monsters. People survive, adapt and make ugly compromises to stay alive.

That nuance hits hardest with Auggie Smith. For two seasons of Peacemaker he’s been a toxic ghost in Chris’s life, but here he’s allegedly not a believer in the regime. He’s a man who bent to live under it, protecting what little family he could. The reveal reframes him less as a cartoon villain and more as a survivor shaped by power he didn’t create.

Family ties and unbearable guilt

The confrontation between Chris and Auggie is one of the show’s strongest scenes. It’s stripped of grand speeches and full of loaded silences. Auggie demands to know who this man is, why he came and what destruction he drags behind. Chris, who’s built an entire persona out of bravado, looks small and shaken here. When the chance to escape comes, it’s not clean victory; it’s survival snatched from the edge.

The later stand off hurts because it’s so human. Auggie chooses to let Chris go, unwilling to kill him. Keith can’t stomach that mercy and moves to strike. Vigilante attacks Auggie to protect Chris, and the moment lands like a punch: no redemption, no theatrical villain death, just a messy, necessary act that ends a lifetime of pain.

Chris’s reaction isn’t triumph; it’s hollow shock. You feel the weight settling on him long before he says anything.

Peacemaker and a return that feels like defeat

The final stretch of this episode of Peacemaker doesn’t offer relief. The team fights through wounds and chaos to reach the portal home. Adrian’s shot, Economos fights free, Keith falls badly hurt. Chris doesn’t celebrate. He folds inward, convinced that he’s the problem, that every world he touches fractures.

When they finally make it back, safety evaporates. Their own A.R.G.U.S. is waiting. Chris steps forward, gives up the rift device and surrenders himself, framing the moment as if the others only came to bring him in. It’s an act that clears their names but nails the guilt to his own chest. The last images are devastating: Chris in chains, silent, convinced he’s the reason everything keeps breaking.

Rating with a touch of flair: 5 out of 5 shattered helmets carried through collapsing worlds.

Edited by Beatrix Kondo