At first, The Lazarus Project seems to follow a familiar idea. Time resets. The same day over and over. Nothing too complicated. But as it keeps looping, something starts to shift. It gets harder to ignore the weight of it. The repetition stops feeling like a trick and starts to feel like a warning. It's not just about time travel. It becomes about what people do with second chances and what it costs to keep trying to fix what's already broken.
In the middle of all that, there's George. Everything feels normal until it doesn’t. He’s the only one who notices that time has started over. Everyone else keeps moving forward, unaware. But for him, the day won’t let go. Looking for answers, he crosses paths with a secret group that has been managing these resets behind the scenes. They call themselves The Lazarus Project.
A character disconnected from the present
George, played by Paapa Essiedu, seems to live an ordinary life until he notices something has changed. Every time he wakes up, it’s July 1st again. Everyone around him carries on as usual. He is the only one who remembers what came before.
Eventually, he crosses paths with Archie, an agent working for The Lazarus Project. The group has been secretly resetting the world to avoid extinction-level events. The resets always go back to a fixed point in time, July 1st. Unlike the rest of the team, George does not need to take a serum to retain his memories. His mind remembers the resets on its own.

A mission to prevent disaster
George is invited to join the organization and soon becomes involved in his first assignment. A nuclear warhead, Big Boy, has been stolen by Dennis Rebrov, a former Lazarus agent who turned rogue. The team tracks him to Paris, but he detonates the weapon before they can stop him. The mission fails. Time resets once more.
In the following cycle, the team continues the hunt for Rebrov. Meanwhile, George's personal life unravels. His partner, Sarah, is hit by a truck and hospitalized. The Lazarus team refuses to initiate a reset, stating that personal tragedies do not qualify as global threats. Sarah dies, and George begins to break away from the organization's strict rules.
Extreme choices and irreversible consequences
George turns to Rebrov for help. Rebrov explains that the only way to bring Sarah back is to cause another global catastrophe. To do that, George needs to detonate a warhead. The only person who can build a detonator is Janet, a former Lazarus agent and Rebrov’s past partner.
Once George obtains the detonator, he travels to Romania to locate Big Boy. Shiv, a member of the Lazarus Project, becomes suspicious and follows him. George shoots and kills Shiv to protect the mission. He then detonates the warhead in Russian territory and returns to headquarters. To cover his actions, George frames Shiv as the traitor.
But the explosion is not enough. The reset doesn’t happen. George escalates further. He assassinates a Russian ambassador to trigger war. The world resets. Sarah and Shiv are alive. Rebrov is now free.

A cycle without end
George tries to move forward, but Sarah ends their relationship again. Elsewhere, Janet goes missing following a hostage situation. Then, without warning, time resets again. No one triggered it. No mission had failed.
George had shot Shiv at exactly midnight on July 1st. Now, time keeps looping back to that moment. It becomes clear that someone has replicated the Lazarus Project’s black hole technology. Time continues to reset every few weeks, beyond anyone’s control.
Archie investigates and finds Rhui, a former agent linked to the Chinese government. She confirms that the Lazarus system was copied. Janet is the only person who can help stop the resets, but she’s gone.
The message and the past
George finds a bloodied note in Shiv’s pocket after the shooting. A few resets later, he brings Shiv back and asks about it. The note contains a code. Shiv explains that he and Janet used this code years ago to signal danger. The last time he received it was in 2012.
That discovery confirms that Janet was sent back in time. Rebrov also shows up, recognizing the code as something only the two of them would have used. This shared knowledge leads to a new mission: finding Janet and reversing the damage caused by the unauthorized system.

Ethics, resets, and loss
Season 1 of The Lazarus Project doesn’t just deal with time travel. It keeps circling back to something harder to name. Power, maybe. Control. What does it mean to be the one who decides when to start over? The resets look like second chances at first, but that idea doesn’t hold for long.
At some point, personal reasons start to pull harder than global ones. And when that happens, the line between saving someone and risking everything gets blurry fast. George doesn’t stay the same. He moves from following orders to bending the rules. His choices aren’t just emotional. They leave a mark. Not just on him, but on everyone involved.
The Lazarus Project itself starts to feel less solid. Trust inside the group starts to wear down. And after a while, the resets stop feeling like solutions. They start feeling like damage. Repeated, not repaired.
After season 2 of The Lazarus Project
The second and final season of The Lazarus Project premiered on November 15, 2023. That marked the end of the series. Joe Barton, who created and wrote both seasons, described the new chapter as bigger, louder, and more chaotic, and that tone carried through until the last episode.
The closing arc focused on finding Janet and uncovering how she had been sent back to 2012. That storyline pushed the group to confront what remained of the Lazarus system, including the creation of a duplicate version that had spiraled out of control. Sarah, now part of the team and fully informed, altered the balance inside the organization. Nothing about their dynamic stayed the same after that point
Final thoughts
The story didn’t stretch into more seasons. It stopped where it needed to. The Lazarus Project closed with season 2, leaving behind a world that had been reset too many times. The damage was still there, even when the timeline looked clean.
What began as a story about second chances turned into something more uncertain. Each decision made things harder to undo. Each reset carried a cost. And in the end, it was no longer about fixing time; it was about accepting what couldn’t be changed.