Hulu has officially canceled Mid-Century Modern after a single season, despite its acclaimed critical reception and top-tier creative credentials.
The sitcom was created by the highly touted Will & Grace team, Max Mutchnick and David Kohan, along with producer Ryan Murphy. It served as a new, retro-flavored spin on the traditional ensemble sitcom.
Even though the series scored an impressive 88% critics' score on Rotten Tomatoes and its cast included Matt Bomer, Nathan Lane, Nathan Lee Graham, and the late Linda Lavin, the show could not navigate the critical difficulties that now characterize the comedy landscape of streaming.
Cancellation, confirmed in an emotional social media statement by Mutchnick, comes just months following its March 2025 premiere. Meanwhile, Hulu’s decision reportedly comes after the options on lead cast players that were set to expire. Additionally, various outlets are pointing out that, as much as viewers have invested in its limited demographic, Mid-Century Modern didn't bring enough viewers to warrant a Season 2 in a world increasingly ruled by thin margins and changing viewer trends.
Why did Mid-Century Modern get canceled?

Mid-Century Modern is a familiar paradox of streaming sitcoms: despite critical recognition that can create buzz and foster devoted followings, it is not an indicator of access to a large enough audience to keep a streaming show afloat.
No outright thorough post-mortem from official Hulu sources has been released yet, but word from executives and producers is a familiar chorus: high-end niche programming fares poorly in breaking through to wider circles, especially in multi-camera sitcom form, which has historically found it difficult to reach large streaming viewership despite periodic efforts at revival.
Viewership numbers have not been publicly released, but reports by industry sources and credible coverage from outlets such as Deadline and Variety point to low audience engagement as a reason for the cancellation of the show.
The expiration of the contracts placed additional urgency on Hulu to decide by late September. The loss of Linda Lavin, an Emmy-winning presence whose last episodes aired just days after her own death, lent a melancholy as well as a logistical challenge to the short life of the show.
Taking to Instagram, showrunner Max Mutchnick admitted:
“Ten great episodes... Not enough. But we loved making every single one of them. We’re gonna miss our very special show. Thanks to everyone who watched.”
Creator and star Dan Bucatinsky commented on Mutchnick’s post, saying:
“We became a family to create a tv show about chosen family. And nobody can take that away from us. It was magical. And filled Linda Lavin with so much joy at the end of her life. This was a blessing on a blessing ! Grateful to have been a part of it!!”
The show won comparisons with The Golden Girls through its combination of snappily clever, stagey humor and authentic storytelling set against a Palm Springs backdrop. Critics lauded its combination of age-defying wit and new thinking, with the top-notch leads being labeled “irresistible” and “glorious” in publications from Variety to Rotten Tomatoes.
Still, others suggested that its retro tone might have been just a little too retro for modern viewership, its gags and rhythms evocative of a past TV decade.
Speculation on fanboards and in reputable industry press alike suggests that this is a direct result of the current streaming environment, where platforms appear to be playing it safe. As opposed to creating long-term brand value through small critical hits, some streamers are shifting to event series, franchise extensions, and unscripted content that will yield short-term subscriber numbers.
As part of a trend shifting toward consolidation and fewer experiments, the cancellation of Mid-Century Modern among several otherwise well-reviewed yet short-lived sitcoms in 2025 signals a waning “Peak TV.”
What was Mid-Century Modern about?

Mid-Century Modern is a Hulu sitcom about three best friends, men of a particular age who are gay, whose reaction to an unexpected death within their social group is to move in together in Palm Springs.
Drawing on the chemistry and personal histories of its main characters, the series explored themes of friendship, aging, chosen family, and LGBTQ+ identity while mixing humor with touching scenes.
Nathan Lane played Bunny Schneiderman, a rich brassiere magnate; Matt Bomer played a flight attendant and ex-Mormon named Jerry Frank; and Nathan Lee Graham took on Arthur Broussard, an ex-newsperson and fashion enthusiast.
Rounding out the cast was Linda Lavin as Sybil Schneiderman, Bunny's boisterous yet loving mother. As a group, the leads endured the highs and lows and humor that come as they experience living their golden years while dealing with romance, grief, career aspirations, and the search for home and belonging.