The K-pop group Kep1er is now the first idol group from Korea to join a new protest movement called "No Music for Genocide." Fans spotted Kep1er's name on the list of ‘artists taking a stand’ on October 11, 2025. This rallying movement seeks to end music played in Israel as a way of protesting for Palestine.
What is "No Music for Genocide" and how does it work?
"No Music for Genocide" is a cultural boycott. It began in September 2025, and its goal is to protest Israel’s actions in Gaza and the treatment of Palestinians. Artists and record labels in this movement agree to geo-block their music in Israel. That means their songs or albums cannot be streamed there.
Reports by Consequence state that at first, more than 400 artists and labels signed on. These include well-known names like Massive Attack, Rina Sawayama, Japanese Breakfast, and more. The movement also frames itself as a moral act, drawing parallels to past boycotts like those against apartheid in South Africa.
The official website states,
"This tangible act is just one step toward honoring Palestinian demands to isolate and delegitimize Israel as it kills without consequence on the world stage."
Artists on the list are manually verified by organizers to ensure the legitimacy of their participation.

Some artists have taken extra steps. For example, Massive Attack has pulled its music from Spotify entirely (in addition to Israel) due to concerns about the platform’s business dealings. So far, over 1,000 acts have been reported to support or join the campaign.
Kep1er joins, and what that might mean
On October 11, 2025, fans noticed Kep1er's name on the official "No Music for Genocide" list. That makes Kep1er the first K-pop group to be part of this movement. Their entry has drawn praise from fans across social media.
Before Kep1er, a Korean solo artist named BÉBE YANA was the first Korean act to join. But Kep1er is the first Korean group to do so. The two agencies that manage Kep1er, Klap Entertainment and WAKEONE, haven’t made any public comment about joining the boycott.
Kep1er's joining could influence other K-pop acts. Fans hope this will inspire more groups or idols to make similar moves. In the broader world of music, this action by Kep1er places K-pop closer to global artist activism on Israeli-Palestinian issues.
There are challenges, too, and the music industry has not been uniform in its responses to conflicts, and many artists have stayed silent until now.
Still, this move adds weight. The fact that a high-profile group in one of the biggest music industries has joined gives more visibility to the movement. It may prompt discussions about cultural responsibility, artistic freedom, and political expression in popular music.
This protest is still very fresh, and its long-term effects are unknown. But it shows that artists today can use their platforms not just for art, but for statements. Kep1er's participation brings a new voice from K-pop into global conversations about music, identity, and protest.