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Old Money is Netflix’s newest Turkish romantic drama that captures the glitz, betrayal, and tangled emotions between Istanbul’s elite. The series follows Nihal and Osman, who’re two people from opposite ends of the wealth spectrum and whose lives collide in ways neither expected.
The show’s soundtrack mirrors this tension beautifully, combining operatic classics with modern pop to capture every power play and stolen glance. So, what songs bring this world of love and rivalry to life?
Here’s your complete Old Money soundtrack guide.
Old Money soundtrack guide: A complete list of the music in the latest Netflix drama
Episode 1:
The first episode sets the tone with songs that reflect Nihal’s return home.
“La Donna E Mobile” by John Rowcroft – Plays at a reception.
“Supper by Candlelight” by Bill McGuffie – Plays during a dinner on Old Money. The talks are about love.
“Hey Now Watch Me” by Gem and the Deadheads – Plays during montage of Nihal brainstorming her next move.
Episode 2:
Episode two heightens the chemistry between Nihal and Osman, sonically balancing heartbreak and power.
“Won’t Be the Same” by Billy the Kid – Plays during Nihal’s strategy meeting in Old Money Episode 2.
“Total Eclipse of the Heart” by Bonnie Tyler – Plays during Nihal and Osman’s exchange over a making boat.
“Everytime” by David Gerard Lawrence – Osman teases his brother.
“My Friends” by Leia Blue – Plays during a family scene. The scene has politeness but also hidden agendas.
“O mio babbino caro” by Giacomo Puccini – Plays while Nihal sits alone, hinting at her vulnerability.
Episode 3:
Music in this episode switches between calm and strong, defiant moments.
“I’m Worthy” by Holly Riva – Plays during a friendly meet hiding a deeper agenda.
“Broken Saddles” by Richard Gilks – Accompanies Berna’s professional confrontation.
“Part of the Program” by Joshua Klein – Accompanies Nihal’s declaration of independence.
“Donna non vidi mai” from Manon Lescaut by Puccini – Elevates Berna’s impulsive decision on Old Money.
“O Bi Karamel” by Ozbi – Highlights Engin’s pride and jealousy.
“If I’m Somewhere” by Shane Fontayne – Sets the bar’s relaxed yet tense vibe.
“Mad Love” by Ashley Madison – Increases Osman’s arrival.
“Where Is My Mind?” by Pixies – Closes off Old Money Episode 3.
Episode 4:
Episode four introduces information that shifts grounds on everything we know.
“Since You’ve Been Gone” by Holly Riva – Plays as Berna finds out the truth about the Bulut family’s origins, highlighting her renewed vulnerability.
Episode 5:
The fifth episode has a lot of intensity and conflict.
“That’s Why They Fall” by Holly Riva – Plays during Nihal’s bold confrontation with Osman.
“Rondo (Violín Opus 61)” by Orquesta Sinfónica De Radio Ljubljana – Shows Osman’s presence at home.
“More to Burn” by Jeffrey S. Lippencott – Plays during Mahir’s argument with a journalist.
“The Mirabelle Waltz” by Sam Fonteyn – Plays at the tennis club.
“Pearl Cadillac” by Gary Clark Jr. – Enhances the chemistry between Nihal and Osman as they kiss in rain.
Episode 6:
This episode blends jazz and blues into scenes that radiate warmth and reflection.
“Over and Over” by Jennifer June – Plays as Osman looks after Nihal when she’s unwell.
“Fountains of Versailles” by Morgan Jones – Plays at a friendly birthday gathering.
“Nobody Got Nothin’” by SATV Music – Sets the mood at a party.
“I’ve Never Been This Blue” by Greencastle Homer – Plays during Nihal and Osman’s connection.
“When Your Good Girl’s Gone” by The Sunset Sound – Plays as Songül leaves, feeling sad and distant
Episode 7:
This episode uses romantic and rock-infused melodies to explore desire and regret.
“Belle, Belle!” by Naïka – Adds playfulness to Arda and Berna’s flirtation.
“Didn’t Wanna Wait” by Jerry Thomas – Follows Arda and Nihal’s business meeting.
“Berceuse in D-Flat Major” by Richard Reed Parry et al. – Evokes nostalgia and sadness as past traumas surface.
“Knockin’ On Heaven’s Door” by Motion Soundtrack – Plays as Nihal confesses her feelings at the end of episode.
Episode 8: Closure Through Harmony
The finale ties all the threads together.
“Romantic Evening - Full” by Ron Komie – Plays during Songül’s talks about exchange on ownership.
“Swing Those Things” by Dick Walter – Serves as gossipy background music for the women talking.
“Sleepin’ In” by Shane Barakan – Plays during business flirtation and shifting loyalties.
“Jigsaw” by GRAY – Accompanies a haunting ending as Osman faces loss and memory.
The Old Money soundtrack is as refined and layered as its storytelling. Blending Puccini with contemporary rock, it becomes a silent narrator, reflecting love, rivalry, and grief with precision. Each song deepens the texture of the show, playing behind every choice, betrayal, and fragile moment of hope.
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