X-Men ‘97 isn’t just a vivid throwback, but a direct continuation of the beloved series.
It picks up right where the original X-Men: The Animated Series left off in 1997. It does not even feature any time jumps, just straight-up continuation. For old-school fans and brand-new viewers who have never touched a VHS tape, it is amazing how the show bridges all that history.
Figuring out where X-Men ‘97 lands in Marvel’s cartoon timeline is kind of a big deal, both for the nostalgia die-hards and the fans who think continuity is just a fancy word.
The X-Men brand is kind of legendary in the cartoon world. We’re talking over thirty years of mutants, melodrama, and Magneto’s silly helmet. Disney+ dropped X-Men ‘97 in 2024 as a full-on sequel. The crazy part is that they didn’t chicken out and just winked at the old fans. They dragged unfinished storylines back into the light and threw in some modern themes and slick new animation.
Fans had their doubts before it dropped, too. Would they keep that melodramatic ‘90s vibe? Were newcomers going to be lost in the mutant saga? And how do you keep the magic alive without just rehashing the past?
The original show (1992–1997) was a Saturday morning ritual, teaching a generation about mutants, prejudice, and why Cyclops is both awesome and kind of a dork. It played fast and loose with comic storylines, time travel, and evil twins, and it took some big swings. Then it just... ended. Like, mid-sentence. Decades later, that’s the cliff X-Men ‘97 built its house on.
Now, the new show is pulling in rave reviews. People are binging, critics are all in, and everyone is arguing about which Jean Grey is best. If you want to understand how this all fits together: how the old show smudges into the new, what threads got picked up, and how Marvel is keeping this mutant thing going for a new crowd, well, buckle up.
This guide is going to break down the X-Men ‘97 timeline, connect the dots to the ‘90s series, and dig into why this cartoon still matters in a world overflowing with superheroes.
X-Men ‘97 and the legacy of the original animated series

X-Men ‘97 continued the story from where X-Men: The Animated Series (X-Men: TAS) left off. The events in X-Men ‘97 hit right after the old show’s finale, arguably within months to a year later. Professor X got carted off to hang with the Shi’ar after that whole near-death thing, and everyone is still picking up the pieces.
The OG show ran from 1992 to 1997, ending with Graduation Day: Xavier leaves Earth, Magneto’s future is one big question mark, and the X-Men are an emotional mess. Fast-forward to X-Men ‘97, and guess who is leading the squad? Magneto. That’s shocking, especially since most cartoons never got this bold with the source material.
American animation almost never does this sort of direct sequel thing, especially for superhero stuff. Usually, they just reboot, slap on some new costumes, and call it a day. Here, though, continuity is king. Fans of the old show get all the callbacks, but newcomers can jump in without needing a PhD in X-Men lore.
Now, about how it looks and feels. We can say that they’ve leveled up. The animation is way smoother, the fights actually pop, and characters have faces that can emote. Plus, storytelling is way tighter. Instead of random monster-of-the-week stuff, you get one big story arc. It’s binge-friendly, which is just what the streaming doctor ordered.
And the cast is more diverse than ever. Morph is non-binary now, which is cool and feels right for the times. The whole team reflects this push for bigger, broader representation, not just in powers or backstories, but in personality and perspective, too.
The big idea here, straight from the showrunners’ mouths, is to “elevate and embrace the original.” They’re walking a tightrope: keeping the heart of the original but updating it for people who actually live in 2025.
The timeline: Where does X-Men ‘97 fit?

Picking up where we left off: X-Men ‘97 doesn’t miss a beat
So X-Men ‘97 picks up right after the Graduation Day episode from 1997. Maybe just a couple of years have trickled by since Xavier got carted off. Now, Magneto is running the show. The original “frenemy” is stepping in as the X-Men’s not-so-stable new boss.
All the classic threats are still hanging around. Mister Sinister, Sentinels, the usual suspects. Instead of sweeping the ‘90s cliffhangers under the rug, this new series deals with them. We’re finally getting closure on stuff like Xavier’s whole situation and the never-ending anti-mutant hate parade.
And the old crew is not pretending nothing happened. The show actually lets them feel the fallout, instead of resetting everything. It feels like the first time an animated X-Men series has ever had the guts to go there.
Time travel, alternate realities, and multiple timelines
So, both the OG X-Men: The Animated Series and the new X-Men ‘97 are just obsessed with time travel and alternate realities. Episodes like Days of Future Past in the original laid the foundation for alternate futures, dystopian timelines, and complex continuity. And then, as if that wasn’t enough, X-Men ‘97 just elevated it. End of season one, and half the team is zapped to ancient Egypt (~3000 BC), and the others are in the year 3960 AD. Only a few members are left in the present.
How’d this happen? Blame Bastion and his techno-organic time manipulation straight out of some of the craziest X-Men comics. This guy just rips the team apart across history because that’s what villains do.
So now you’ve got Magneto, Rogue, Nightcrawler, Beast, and Xavier meeting the young En Sabah Nur, who later becomes Apocalypse.
Meanwhile, Cyclops and Jean are stuck in the distant future, running into the Clan Askani (a nod to Nathan Summers/Cable’s origin and the influential Adventures of Cyclops and Phoenix comics arc).
And speaking of Cable, already a time traveler himself, is in the present. Looks like he’s about to put together X-Force or whatever the next squad of misfits will be. If there is one thing you can count on with the X-Men, it’s that the timeline is going to be chaotic, and everyone is probably related to everyone else, sometimes twice.
The branching timeline problem
Marvel’s cartoons have always toyed with the idea of parallel universes, but X-Men ‘97 just goes full-on multiverse mayhem. Now, we’ve got three big branches to keep straight: the OG ‘90s cartoon, that X-Men ’92 comic run, and now X-Men '97, which picks up where the old show left off but then just boosts everything by the end of season one.
So, here’s the breakdown:
- X-Men: TAS (1992–1997): That’s your mainline, the classic Saturday morning jam.
- X-Men ’92: Comic-only, its own little corner.
- X-Men ‘97: The direct sequel to TAS, but then it starts coloring outside the lines and splinters the timeline even further.
The thing is, not every character or plot point lines up neatly from one version to the next. You can’t just slap stories from the comics onto the cartoon and call it a day. But if you’re looking for what counts as “real” in the animated universe, X-Men ‘97 is the new gold standard. It’s official, at least until Marvel cooks up something new.
The finale’s time-shifting cliffhanger

X-Men ‘97 finale went in with the time-hopping. The ending puts half the characters into three different eras, and it’s not just for kicks.
First off, you’ve got Magneto, Rogue, Beast, Nightcrawler, and Professor X in Ancient Egypt (~3000 BC). They bump into Apocalypse (aka En Sabah Nur), which, if you’ve read any X-Men comics, you know is a huge deal.
Then there are Cyclops and Jean Grey, waking up in the year 3960 AD. They run into the Askani clan and start raising little Nathan Summers (Cable) right out of The Adventures of Cyclops and Phoenix.
Back in the present, Cable is holding down the fort with whoever is left, setting up whatever teams or cameos they want to throw at us next.
The whole point is a love letter to the comic book mess that makes X-Men so legendary: time travel, split teams, insane stakes. It blows the animated universe wide open. And you can bet they’re leaving the door cracked for more seasons and maybe even some MCU tie-ins.