Netflix has wrapped up the main cast of Age of Innocence, its new series inspired by Edith Wharton’s novel. The latest update brings Fiona Glascott, Emma Shipp and Belinda Bromilow into the picture as regulars. They step in alongside Camila Morrone, Margo Martindale, Ben Radcliffe and Kristine Froseth, names that had already been revealed earlier. With that, the casting process finally feels complete, marking the moment when the leads are set in place.
The announcement also shows how Netflix keeps leaning into period dramas that draw from classic literature. What stands out is the mix: experienced actors next to newer faces, creating an ensemble that feels balanced and open to different tones. It is the kind of lineup that hints at both tradition and something more current. Closing the roster now gives the project clearer form, making the step into production look more defined than before.
New recurring additions
Beyond the regular cast, Age of Innocence opens the door to a wide set of recurring roles. Hayley Mills, Will Tudor, John Light, Ryan Morgan, Steven Pacey, Lucia Balordi, Elly Roberts, Kel Matsena, Jack Cutmore-Scott, Anna Madeley and Michael Cochrane are all on that list. Reading the names feels like seeing the frame of a larger picture. A society taking shape around the leads, not just background but part of the weight of the story.
Some of them come from television, others with film credits, and a few with theater in their path. Different places, different tones. It gives the impression of layers, and maybe that is what makes the world of the show feel fuller.
The story of Age of Innocence and its setting
Age of Innocence takes viewers back to 19th century New York. A city of rules and appearances, where a story of forbidden love begins to unfold in the middle of social rituals and silent pressures. At the center there is a triangle, complicated and fragile, that carries themes of duty, freedom and identity.
The official synopsis points to a version that keeps close to Wharton’s novel but also tries to echo in a new time. It is not only about the past. It is a story that still touches on questions that feel current, questions about choices, about the weight of tradition, about what it means to follow the heart or the rules.
Characters and roles
The first character descriptions have also been revealed. Fiona Glascott will play Augusta Welland, May’s mother, described as traditional and protective. Belinda Bromilow takes on the role of Adeline Archer, Newland’s mother, an independent widow who prefers solitude. Emma Shipp portrays Janey Archer, Newland’s sister, unmarried and eager to change that.
Among the recurring roles, Hayley Mills plays Louisa Van Der Luyden, an influential member of New York society. Jack Cutmore-Scott is Julius Beaufort, a new money banker who sits at the center of social life. Anna Madeley portrays Aunt Medora, Ellen’s former guardian, lively and unconventional. Michael Cochrane plays Henry Van Der Luyden, connected to British aristocracy and characterized by a reserved manner.
Additional characters include Will Tudor as Sillerton Jackson, a friend of Newland known for gossip and secrets. John Light plays Mr. Lovell Mingott, May and Ellen’s uncle, depicted as moral and community-minded. Steven Pacey takes on Judge John Welland, May’s father, a learned but emotionally distant figure. Kel Matsena is Ned Winsett, a working-class hero and magazine editor. Lucia Balordi plays Nastasia, Ellen’s maid and confidant. Elly Roberts is Edith Mingott, a sweet and unassuming cousin. Ryan Morgan portrays Lawrence Lefferts, a sociable but sharp-tongued friend.

Creative team and production
Emma Frost is writing all episodes and serves as showrunner. The executive producers are Peter Chernin, Jenno Topping, Tracey Cook and Pavlina Hatoupis. Direction is led by Shannon Murphy, who is attached to the first three episodes, with Lisa Brühlmann and Natalia Leite also directing. The combination of these names brings a range of international experience and confirms the project’s commitment to strong creative leadership.
Themes and focus
The adaptation of Age of Innocence highlights conflicts between personal desire and social obligation. Love, identity, family duty and individual freedom are central elements. The contrast between formal gatherings and private settings is expected to shape the visual and emotional atmosphere of the series, as outlined in the official synopsis. These environments underline the continuing relevance of Wharton’s questions.

Production status
At this stage, Netflix has not announced an official release date for the Age of Innocence. The project remains in active development, with the cast and creative team fully confirmed. Further announcements will define the production timeline and promotional materials.
Closing notes
With the cast now complete and characters introduced, Age of Innocence moves forward as one of Netflix’s most prominent literary adaptations currently in progress. The production combines fidelity to Wharton’s narrative with an effort to reach new audiences. The confirmation of the ensemble allows the series to stand ready for the next stages, with anticipation now turning toward the first look at costumes, sets and the atmosphere of 19th century New York that will bring this adaptation to life.